We discuss: how she got a job as a corporate curator, how corporate collections find art and artists, their art collection is for the enjoyment of the employees not as investments, their effort to continually keep the collection contemporary, the relationship of art and architecture, art conservation in corporate collections, their mission as a corporate art collection, buying art with frames or without frames, the importance of a thank you note, the need for more diversity in art collections

People + Places mentioned:
Weinstein Hammons Gallery – https://www.weinsteinhammons.com
Target Corporation Art collection – https://paulbastyr.com/target-art-collection-book
Art Basel – https://www.artbasel.com/miami-beach
Expo Chicago – https://www.expochicago.com
Skidmore, Owings & Merrill – https://www.som.com
Paulson Fontaine Press – https://paulsonfontainepress.com
Highpoint Center for Printmaking – https://www.highpointprintmaking.org
Artserve – https://artserve.co
Charles Biederman – https://www.msfineart.com/artists/charles-biederman/
Kerry James Marshall – https://jackshainman.com/artists/kerry_james_marshall
Abelardo Morell – https://www.abelardomorell.net
James Rosenquist – https://www.jamesrosenquiststudio.com
Doug and Mike Starn – http://www.dmstarn.com
Robert Longo – https://www.robertlongo.com/series/meninthecity/

3 contemporary artist they recently added to the collection:
Dyani White Hawk – https://www.dyaniwhitehawk.com
Erin O’Keefe – https://www.erinokeefe.com
Carla Jay Harris – https://www.carlajayharris.com

Supported in part by:

EEA Grants from Iceland, Liechtenstein + Norway

https://eeagrants.org

and we appreciate the assistance of our partners in this project:

Hunt Kastner – https://huntkastner.com
Kunstsentrene i Norge – https://www.kunstsentrene.no